A: The soul wanders in the dark, until it finds love. And so, wherever our love goes, there we find our soul. Q: It always happens? A: If we’re lucky. And if we let ourselves be blind. Q: Instead of watching out? A: Instead of always watching out.

I'm drawn to very large texts that are mammothly popular in different parts of the world but are almost unknown here [the USA]. They're safe bets; if they've been around for 2,000 years, there's a reason. It's often a title or just a phrase within the text that will compel me to adapt it.

A: The soul wanders in the dark, until it finds love. And so, wherever our love goes, there we find our soul. Q: It always happens? A: If we're lucky. And if we let ourselves be blind. Q: Instead of watching out? A: Instead of always watching out.

I've always loved fairy tales. I think they perhaps led me to theater rather than the other way around. As a child I wanted to invent a machine that could record my dreams, so I could watch them in the morning; or hire someone to draw the things I had in my head, because I knew I didn't have the skill to do it myself. Theater is that machine. I can make these images come to life and actually walk around inside them for a while.

Let me die still loving, and so, never die.

The soul wanders in the dark, until it finds love. And so, wherever our love goes, there we find our soul.

I've done a lot of hard work, and it ain't killed me, ... Young people today couldn't take what I have been through.

The three questions can be dangerous in the hands of the wrong person.

It does make everyone feel a little nervous. It's a big process.

Mara has a personality that can handle that because it changes every single day. Lots of designers think it sounds exciting, but it's very high pressure.